Archives for posts with tag: Shan Xi
 
Sphinx最近把暗房弄得像模像样,让我有幸能在红光灯下好好再看看我的王家大院。在这个位置上,我拍完这张黑白片后又拍了张一样的RDP120卷,因为我预料到我会过很久才能看到黑白的效果。那是个雾气很重的早晨,我们仍在消磨前期快乐的现场测绘时光。
Resently my friend Sphinx built a very professional darkroom, in which i could have a clear look at my WangJiaDaYuan again in red light. In this position, i shot another chrome after the monochrome one, cause i knew that i could not see the blackwhite effect in a short time. It was a dizzy morning, and we were still in our happy time.
在小学的窗口下,我抬头看去,远处的山边便是深墙豪宅。而近处整齐的居民房,据说是大院中原来的七百二十家房客。
It was a view from the school’s windows, where we took our drawing works. The residential buildings in raws were built for those people who used to live in the WangJiaDaYuan.
这是大院的高墙边另一处小村庄,依山而建,眼前这条小路在雨季的时候就是一条小溪。
A small hamlet besides the WangJiaDaYuan.
羊群向我走来,等我有空把我的4b重新卷片上弦的时候,羊已经把我包在中间,回头只能看到屁股了。
When i could prepared my camera for next shot, i have be surrounded by sheeps.
 
有兴趣可以到相册中看看。大部分都是关于外围和平遥的照片,当初拍来只是作为正片的补充。120的黑白毕竟是一张效率极低的拍摄方式。
Welcome to my albums for more if you are interested. Most of them are about the surroundings of WangJiaDaYuan and PingYao City, and i took these pictures just for the addition of the positive films. Anyway, monochrome of the medium format is a very inefficient approach of photography.
今年再去山西的时候,我们绕过了王家大院,倒不是不顺路,只是为了保持参观的主题完整性。当初在回来的火车上,我就扔掉了许多关于那次行程记忆的东西,再也不想那儿。前几天,看到这几张方方的片子,又突然有些心动,觉得还是有可以再感受一下也无妨的宁静时光的。
This summer i went to ShanXi again, but we skipped the WangJiaDaYuan in our limited journey. I still remember that when we were in the train returning from WangJiaDaYuan to Shanghai years ago, i just feel that i came back from the hell. However, i was a little touched, when some pictures appeared to my eyes again in the red light, yesterday.
 
 
 

 
 
山西让人失望和泄气,又让人期待和感动。
(当然,这只是一个旅游者的感受。我难以想象如果让我长年累月的在那儿工作,我还会不会有这样的感受。)
失望和泄气来自于对人们在发展中的复杂价值取向;期待和感动来自于在这里,你能轻易感受和触摸到千年前我们的祖辈的智慧结晶。
 
建筑学是一个很讲究尺度的科学,可惜这难以用二维甚至三维媒介表达出来。比例尺表达的太有限,这就让我们难以知晓古人对细节的控制程度。而当我置身于佛光寺大殿前时,我才深刻明白宏伟这个词的含义。伸手抚摸那些干枯的宛如沙漠古尸一样的木柱,我知道没有什么比例尺比自己的身体更好了。
 
我原来想按照细部的主题挑选一些照片,因为我觉得相对于细部而言的总体照片总让我有泄气之感,我无法表达其尺度,让这些照片有些漠然。可是很快我发现很多照片并非古建的细部,只是我感官上的细部,于是姑且名之局部。是为序。